Idzie

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Idzie
idzie_at_kolektiva.social@momostr.pink
npub1zs5a...edza
Anarcha-feminist, queer, grown unschooler. Big fan of cats, hiking, snowshoeing, and generally wandering around outdoors as much as I'm able to. Extremely excited about birds and bird/nature photography. Chronically ill (aka often a literal armchair anarchist). Plans to run off to the woods shortly. Writing again for the first time in years about most of the above in my new newsletter Forest Words. Private alt [@Idz](https://social.treehouse.systems/@Idz ) Location: Greater Tiohtià:ke / Montreal Writings: https://forest-words.ghost.io/ Pronouns: She/her
I should start a photo series called "What's in the hole in the tree (nothing)?" where I share all the photos I took of a hole in a tree just so I could zoom in and check if there was an owl
What helped you survive the worst parts of your life? In the times you've looked around in horror at what your life has become, when you realized things were worse than they'd ever been, what got you through?
"Why did I feel I was owed a stable wilderness, a certain snapshot of the earth? If I first believed it was a product of simple nostalgia, I now think it was a problem of visualizing time. As global warming warps what is familiar on our planet, we must confront not only immense ecological change, but the scales we have inherited to conceptualize it. So often I had looked to the natural world to measure my own life: Where was I when the daffodils bloomed last year? Who was I with during our last snow? The result was that I saw the earth only through the timescale of my own days. Now I wanted to peer beyond it. I had become skeptical of my desire for landscapes to change only in legible, routine ways. What did my body know about landscape time? Why did I let myself believe that the snapshot of ecosystem I had fallen in love with represented the land at its best?"
"Scientists design intelligence tests to compare other species to humans, but they tend to overlook alternative modes of knowing. For instance: could I, a human, survive for years in an urban woodlot with as few resources as a skunk? Could I travel many miles of unmarked forest and swamp to find the small hole that leads to my exact wintering den from the previous year? Are those not types of intelligence? While many things about our bodies and behaviors make us distinct from other species, it is unscientific hubris to build a hierarchy out of these traits. This hubris is what has thrust the planet and all its inhabitants into crisis." Patricia Ononiwu Kaishian, #ForestEuphoria
"The idea that plants, in response to their mistreatment, can conspire against a human's eternal salvation is immensely powerful. In this worldview, the gates of heaven are not kept by humanlike angels but by pine trees and stink bugs--and not only are other species inherently valuable, but they also are capable of self-determination; they are peers, collaborators, companions on this planet. Not only do they have material needs for their lives on earth; they have moral agency." Patricia Ononiwu Kaishian, #ForestEuphoria
Crows It is January, and there are crows like black flowers on the snow. While I watch, they rise and float toward the frozen pond, they have seen some streak of death on the dark ice. They gather around it and consume everything, the strings and the red music of that nameless body. Then they shout, one hungry, blunt voice echoing another. It begins to rain. Later, it becomes February, and even later, spring returns, a chorus of thousands. They bow, and begin their important music. I recognize the oriole. I recognize the thrush, and the mockingbird. I recognize the business of summer, which is to forge ahead, delicately. So I dip my fingers among the green stems, delicately. I lounge at the edge of the leafing pond, delicately. I scarcely remember the crust of the snow. I scarcely remember the icy dawns and the sun like a lamp without a fuse. I don’t remember the fury of loneliness. I never felt the wind’s drift. I never heard of the struggle between anything and nothing. I never saw the flapping, blood-gulping crows. -Mary Oliver
The Oak Tree at the Entrance to Blackwater Pond Every day on my way to the pond I pass the lightning-felled, chesty, hundred-fingered, black oak which, summers ago, swam forward when the storm laid one lean yellow wand against it, smoking it open to its rosy heart. It dropped down in a veil of rain, in a cloud of sap and fire, and became what it has been ever since-- a black boat floating in the tossing leaves of summer, like the coffin of Osiris descending upon the cloudy Nile. But, listen, I’m tired of that brazen promise: death and resurrection. I’m tired of hearing how the nitrogen will return to the earth again, through the hinterland of patience-- how the mushrooms and the yeasts will arrive in the wind-- how they’ll anchor the pearls of their bodies and begin to gnaw through the darkness, like wolves at bones-- what I loved, I mean, was that tree-- tree of the moment--tree of my own sad, mortal heart-- and I don’t want to sing anymore of the way Osiris came home at last, on a clean and powerful ship, over the dangerous sea, as a tall and beautiful stranger. -Mary Oliver