Pushed a small BCI update today.
RPC over onion works — Tor just asks for patience.
Farley | Hard Fork Anthems
Farley | Hard Fork Anthems
farley@nostrplebs.com
npub1farl...670r
Rebel code. Real sound.
Where truth becomes frequency — and every beat proves the work.
Today:
Centralized systems feel “normal”
Sovereignty feels “radical”
Tomorrow:
Sovereignty will feel obvious
Centralized permission will feel absurd
People will look back and say:
“Wait… you bought things you couldn’t keep?”
“You owned money you couldn’t move?”
“You paid for culture that could be revoked?”
That’s the funny part.
Ownership vs. Control (the quiet sleight of hand)
When you “purchase” a movie from Apple:
You do not acquire the movie as an autonomous artifact
You acquire a license to view it
That license is bound to:
Apple’s DRM
Apple’s ecosystem
Apple-approved software paths
The .m4v format isn’t the movie.
It’s the container + lock.
So while Apple didn’t write the script, shoot the scenes, or edit the film, they control the conditions under which the movie may exist for you.
That’s conditional reality.
What Apple actually becomes
Apple Inc. becomes:
Execution Authority – decides where and how the file can be rendered
Permission Layer – playback is granted, not inherent
Format Sovereign – meaning the “ownership” only functions inside their borders
If Apple disappeared tomorrow, your “owned” movie doesn’t age gracefully like a DVD or film reel. It vanishes with the platform.
That tells you everything.
“Do you think someone’s imaginary digits should be everyone else’s money?”
If that single question were put to an honest vote, with no framing tricks and no fear baked in, it wouldn’t take long at all. Most people intuitively know the answer the moment it’s phrased plainly.
The old world already sang the truth long before we saw it.
Every one of these tracks reads like prophecy today:
Fortunate Son — CCR (1969)
The class divide of imaginary digits.
Money — Pink Floyd (1973)
The soundtrack of fiat illusion.
For What It’s Worth — Buffalo Springfield (1966)
Awakening before awakening.
The Times They Are A-Changin’ — Bob Dylan (1964)
Decentralization before the vocabulary existed.
We’re Not Gonna Take It — The Who (1969)
The rebellion before the protocol.
Imagine — John Lennon (1971)
The dream of a world beyond imposed divisions.
War Pigs — Black Sabbath (1970)
Elites exposed long before block explorers.
Hotel California — Eagles (1976)
The perfect analogy for a system you can “check out” of,
but never truly leave.
If #Satoshi had a playlist in 2008,
half of it came from 1966–1975.
I own 12 tons of gold!
And the best part? I don’t even have to prove it.
The meaning in one sentence
Fiat makes numbers move even when the world doesn’t.
Bitcoin makes the world move before the numbers do.
Fiat prices
People checking a number that changes without anyone doing any work.
What do I mean by that?
In a real-value world (pre-fiat), numbers only changed when work happened
Historically:
You farm = crops increase.
You mine = gold increases.
You craft = goods increase.
You engineer = structures increase.
Every increase in “value” required energy.
There was always a cost.
Numbers didn’t move unless someone did something real.
Under fiat, prices move even when no value was produced
Why?
Because fiat pricing is governed by belief, policy, manipulation, and liquidity, not value.
Examples:
• A loaf of bread changes price
…but the wheat didn’t change
…the farmer didn’t change
…the labor didn’t change
…the sun didn’t change
Yet the price moves because:
a central bank prints digits
a government issues policy
markets speculate on future costs
algorithms adjust inventory
wholesalers respond to supply fears
None of these created bread.
But the price changes anyway.
That’s a number moving without work.
Stocks move without anything being built
Tesla stock goes up 10% in a day.
Did Tesla produce 10% more cars overnight?
Did employees do 10% more work?
Did factories run 10% hotter?
No.
Digits moved because:
hedge funds reposition,
algorithms buy momentum,
analysts adjust narratives,
people gamble on belief.
Again:
A number changed.
No value was created.
No work was done.
Housing prices rise while houses sit still
A house can go up $100,000 in a year without:
a nail being hammered
a wall being touched
a human doing any real work
Digits inflate because:
interest rates fall
credit expands
demand surges from money printing
investors speculate
zoning laws shift
The house didn’t change.
Value didn’t change.
But the number changed.
That’s the illusion in motion.
Fiat lets digits move independently of energy, which breaks the natural law
In the real world (physics, biology, engineering):
Nothing increases without energy.
But fiat violates that law:
digits appear without cost
prices rise without production
markets grow without value
wealth shifts without creation
This creates a world where:
digits imitate value but do not represent value.
And people get trapped into believing the number is the wealth.
Gold is the only monetary asset on Earth that can:
vanish into a vault no one is allowed to audit
reappear on a balance sheet because someone said so
double-count through rehypothecation
shape-shift into jewelry, bars, coins, or dust
get melted, recast, relabeled, reassigned
go missing and no one can prove it
magically “increase” in reported holdings with zero transparency
serve as collateral even when it may not exist
It’s Houdini money.
Imagine running a global economy on something that can literally disappear without evidence and then reappear through paperwork.
Gold isn't “sound money.”
It’s sound mythology maintained by the few who benefit from the opacity.
Bitcoin didn’t just outcompete gold.
It revealed gold.
Empires love assets they can seize.
Cartels love assets that leave no trace.
Superpowers love assets they can hoard and lie about.
And governments love assets that require trust instead of proof.
But a global civilization built on:
transparency
verifiability
permissionless access
time-stamped truth
open auditing
incorruptible energy
…cannot rely on a metal that disappears into vaults and reappears in fiction.