Irish airspace used by US military to enforce illegal Venezuela blockade Ireland has allowed its [airspace to be used by a US military aircraft][1], which was tracking a tanker attempting to evade the [illegal Washington blockade of Venezuela][2]. Not only that, but the Irish Air Corps used its own C295 maritime surveillance aircraft to assist in the tracking of the vessel, known as the Marinera. As pointed out by American independent journalist [Adam Johnson][3], the United States is the: > …only one out of 193 UN member states [that] sanctions oil from Venezuela Despite this, [he notes][4] how [media routinely refer][5] to a “shadow fleet” of ships ferrying “illicit oil,” even though there is no legal basis for such a framing. This imperial criminality hasn’t stopped the Irish government making a mockery of its neutrality sham, however, as it assisted in surveilling the Marinera some 250 miles west of Ireland’s coast as the vessel moved north. ## Ship being tracked may have aided Hezbollah’s fight against Zionist genocide [According to][6] the *Guardian, *the ship was previously known as Bella 1, and has been: > …under sanctions by the US treasury since July 2024, accused by the American authorities of being involved in carrying illicit cargo for a company owned by Hezbollah, the Iranian-backed Lebanese group. Again we see material held on board being characterised as “illicit”, with nothing to substantiate this description. Hezbollah was at the time one of the few parties upholding international law by seeking to deter the US-‘Israeli’ holocaust in Gaza through armed resistance. This was before the November 2024 [ceasefire agreement][7] was signed by the ‘Israeli’ and Lebanese states when it became clear the continuation of the fight was untenable for both sides. The Bella 1 had evaded capture in December 2025 while in the Caribbean Sea, after it was approached by US Coast Guard but refused to permit boarding. It was then renamed to the Marinera and registered under a Russian flag. There is speculation that [Britain is also allowing its air bases to be used as a staging post][8] for enforcing the illegal pursuit of the ship, with flights of C-17 planes and AC-130 gunships interpreted as a possible build-up to US action against the vessel. The latter were seen at RAF Mildenhall on Sunday January 4, the same airbase from which a Boeing P-8 Poseidon reconnaissance aircraft departed before flying over Ireland. ## Ireland breaks its own rules — and international law Irish policy on such flights only permits them if their presence “does not form part of a military exercise or operation.” [The *Irish Times *reports that][9]: > A review of air traffic control communications confirms the P-8 travelled across Ireland for operational purposes. A member of the flight crew told an ATC officer at about 1:10pm that the aircraft was heading for a waypoint off the west coast, at which point it would go “operational”. > > He said the aircraft would have a “due regard” status, an aviation term often used by military aircraft to indicate they would be undertaking unusual operations. Of course, the Irish government already makes no attempt to adhere to its own policies, with Shannon airport constantly in use as a key cog in the machinery of genocide. US aircraft routinely land there before heading on towards the illegitimate settler-colony of ‘Israel’. The website Shannon Watch tracks the presence of American warplanes at the airport, with [a January 4 report showing a list of such aircraft][10] between 1 Jan and 31 Aug 2025. It reveals almost daily arrivals of flights enabling the continued operation of US empire, with: > …most of the US military and military contracted aircraft were on their way to or from forward operating bases in or near the Middle East. Despite the [overwhelming support for Palestine among the Irish population][11], the government of Micheál Martin has made the nation a key participant in one of history’s most appalling crimes. ## Martin pledges vassalage to US gangsterism It is now assisting Washington’s full-blooded [return to the Monroe doctrine][12]. The doctrine that has left a [vast][13] [trail][14] of [corpses][15] across Latin America. The goals of the blockade Martin and co. aid are no longer being disguised. Ghoulish henchmen of US president Donald Trump like Senator Tom Cotton now [openly acknowledge the true target is Venezuelan civilians][16], saying: > The lights are literally going to go off. They’re not going to be able to pay policemen or firefighters or teachers… unless they begin to cooperate with Pres. Trump. > > </blockquote>The brazenness of such statements is [becoming][17] a [familiar feature][18] of political discourse, as brutish authoritarians increasingly [flaunt their impunity][19] while openly > > violating the law. As this mafia era of geopolitics proceeds, the Irish government pledges its intention to be front of the queue among those kneeling to kiss the godfather’s hand.*Featured image via the Canary* By [Robert Freeman][20] [1]: [2]: [3]: [4]: [5]: https://edition.cnn.com/2026/01/05/politics/us-plans-intercept-oil-tanker#:~:text=operating%20within%20a%20%E2%80%9Cshadow%20fleet%E2%80%9D%20of%20tankers%20transporting%20illicit%20oil [6]: [7]: [8]: [9]: [10]: [11]: [12]: [13]: https://www.thenation.com/article/world/chile-september-11-coup-anniversary/ [14]: https://www.zinnedproject.org/news/tdih/jacobo-arbenz-guzman-deposed/ [15]: [16]: [17]: [18]: [19]: [20]:
New play raises up the voices of Aberdeen residents *A Play for Torry* is a bold, community-led theatre event. It’s the co-creation of residents, artists and campaigners in Torry, Aberdeen. It’ll preview at Aberdeen Arts Centre on 31 January and then premiere at Nigg Bay Golf Club in Torry on 1 February. Funny, moving and defiant, *A Play for Torry* fuses verbatim storytelling with original music by Simon Gall and Coralie Usmani. It creates a rich, multi-sensory night out. One that’s part ceilidh, part protest, and part love-letter to a community that refuses to be quiet. Under the direction of Emer Morris and Annabel Lunney, the play builds from real voices and lived experiences of people who have suffered from the rise and decline of industry, while fighting for land, health and home. ## From fish to oil to wind Torry has been consistently wracked by industrial land grabs over the years. On the edge of Aberdeen, Europe’s ‘Oil Capital’, the community was cleared from Old Torry to make way for the fishing and oil industries. Torry’s Bay of Nigg is now a concrete industrial harbour. The city’s landfill and waste incinerator surrounds St Fittick’s Park, the biodiverse regenerated wetland and Torry’s only green space. And today, [Ian Wood][1] – the father of North Sea Oil – wants to bulldoze the park to make way for an ‘Energy Transition Zone’. *A Play for Torry* asks urgent questions: who is the “[Just Transition][2]” really for? What does it cost when decision making about climate and land doesn’t include the people who live there? ## Authorities punch down, this play raises the community up Rooted in Torry, the show resonates far beyond Aberdeen, echoing the stories of coastal and industrial communities across Scotland. With live music, ensemble performance and special appearances from local guest artists, *A Play for Torry* invites audiences to celebrate, reflect, and to ask together: how do we want to do things? Nathaniel Campbell-Scott-Howells, Torry resident and Friends of St. Fittick’s Park outdoor classroom coordinator said: > A Play for Torry represents the voices that organisations like Aberdeen City Council and the Energy Transition Zone continue to ignore. While they punch down on Torry residents [affected by RAAC][3], the threats to industrialise St. Fittick’s Park, and numerous socio-economic challenges, the play uplifts them through the use of their actual words, stories and history to make it clear we’re a community and we care more about each other than making some big corporations wealthy. Emer Morris, writer and director of *A Play For Torry* said: > This is a co-authored project built to bring out the joy we all need right now and to celebrate the resilience of the people, even when it’s been tough. > > People of Torry have been part of this every step of the way, and this is an example of professional artists and community collaborating to a story about experience in North East Scotland. > > This story is significant because what happens here – and what has happened – echoes far beyond Torry and Aberdeen: it has real resonance for what unfolds across Scotland and all of these isles. Sharon Catchpole, interim executive director of Aberdeen Arts Centre, said: > At Aberdeen Arts Centre, we believe theatre should be accessible to everyone – whether they want to sit in the audience, work behind the scenes, or step out on stage. > > We have loved working with the team behind A Play for Torry throughout its development, allowing one of Aberdeen’s historic communities to shine a light on the issues that affect them. > > Community-driven theatre can be an incredibly powerful medium for communicating complex issues and ideas, and this production is no different – bringing issues that affect Aberdonians to a wider audience. Co-written by Mae Diansangu, Shane Strachan, Emer Morris, and the local community, *A Play for Torry* is funny, fierce and full of hope. It’s a celebration of resilience, collective strength and the drive to imagine something better. > We have to win, for everybody… this isn’t just about us. *A Play for Torry* is a partnership with Friends of the Earth Scotland and Aberdeen Arts Centre. It has funding from Creative Scotland’s Open Fund. *Featured image supplied* By [The Canary][4] [1]: [2]: [3]: [4]: