And yeah, shit’s bad. But before you start spiraling about how “the end is near,” remember: for Black and Indigenous folks, the end of the world already happened a long fucking time ago. They’ve been living under existential threat for centuries. So yes, organize, fight back, but keep perspective—this crisis ain’t new for everyone.

I wonder how long this article about #Antifa, that positively portrays the movement, will be allowed to remain on the Smithsonian magazine's website. https://www.smithsonianmag.com/history/brief-history-anti-fascism-180975152/

If you need to unplug from the flaming trash heap we call reality, here’s two gems: 1. Portrait of a Lady on Fire – easily one of the most gut-punchingly beautiful films I’ve seen in forever. 2. Blackfish City – a brutal #cyberpunk novel with killer whales, polar bears, and the kind of dystopian grit that'll melt your face off. Go watch/read, thank me later.

So the alleged Charlie Kirk shooter ain’t some “radical leftist” after all. Dude’s a gun-humping Trump fan per The Canary. But too fucking late—Trump already screeched about the “destruction of the far left,” and his cult will keep running that play no matter what the facts say. Propaganda doesn’t need truth, just a target

Canary

Charlie Kirk suspect is allegedly a gun-loving Trump supporter

From what we know so far, the suspect seems to be part of the 'groyper' movement of far-right online agitators

And before I forget, fuck Charlie Kirk

Canada just handed 10 years to “Dark Foreigner,” the #Atomwaffen Division’s PR goblin. Atomwaffen were a #neoNazi death cult that worshipped mass murder and tried to spark race war. https://www.cbc.ca/news/canada/ottawa/patrick-gordon-macdonald-dark-foreigner-1.7624892

I just wrote up how I cut “George Bush Don’t Like Black People” in under 24 hrs back in ’05. No SoundCloud, no Spotify—just a TiVo full of Katrina, a smoky Canon GL2, a beat-up PowerBook, and a metric fuck-ton of rage. I synced TV corpsespeak to Legendary K.O. / K-Otix’s CC track, slapped grimy titles, exported a crusty QuickTime, and hurled it onto the Internet Archive. We embedded it on subMedia, the NYT linked it, and the site face-planted from traffic. Point is: remix isn’t a genre, it’s a weapon. When the state abandons people and corporate media gaslights, jack the feed and make your own damn video.

Amplifier Films

Uploading Rage: The DIY Birth of a Viral Katrina Remix | Amplifier Films

In the chaotic days after Hurricane Katrina (landfall: August 29, 2005), I made a remix video sparked by Kanye West’s live remark on September 2,...

#NOLA #Katrina #RemixCulture #CreativeCommons #subMedia #AnarchistMedia #LegendaryKO #Kanye #MediaLiteracy #DIY or #DIE

🚨 Please keep supporting the Prairieland Defendants! 🧵 Two urgent fundraisers need love right now: ❤️ Maricela’s family – They’re halfway to their goal. Mari’s been there for so many of us, and now it’s our turn to show the fuck up for her and her daughter. 👉 https://www.gofundme.com/f/help-maricelas-family-while-she-fights-for-justice ✊ The 17 defendants’ legal fund – Our friends are staring down the state and need solid legal defense. This one’s stalled at 64%. Let’s push it over the top. 👉

GiveSendGo | Support DFW Anti ICE Protesters

After a pile of grant rejections from the usual institutions, Clifton and I finally landed our first official grant for A Red Road to the West Bank — and no surprise, it’s anarchists who came through. Who else has our backs when we’re making films that call out colonialism by name? We’re beyond honored to be recipients of the 2025 Jen Angel Anarchist Media Grant, thanks to the Institute for Anarchist Studies and Agency. Even sweeter, we get to share this honor alongside comrades making powerful work like The Dugout, Mainline’s The Process is the Punishment, and All Damn Night. This film pulls no punches — it’s about the parallels between Indigenous struggles here and in Palestine, two peoples fighting the same settler colonial playbook. It’s a story the powers-that-be don’t want told, which is exactly why it needs to be. We’ve still got a long road ahead and need serious support to finish. If you believe in radical media that doesn’t bow down, throw some love our way:

Amplifier Films

Amplifier Films: Bold Documentaries for Revolutionary Change | Amplifier Films

Discover impactful documentaries that challenge narratives and amplify indigenous voices. Amplifier Films highlights grassroots movements, blending...

If you haven’t read this yet, get on it. [@igd_news](

kolektiva.social

It's Going Down (@igd_news@kolektiva.social)

10.2K Posts, 855 Following, 26.7K Followers · In search of new forms of life. Sharing news, podcasts, and opinion about autonomous social movement...

) just dropped a brain-melter on what the fuck we’re actually doing when we talk about revolution in the 21st century. Forget the vanguard cosplay and NGO liberalism — this piece tears into the dead ends, revisits the lessons of movements past, and argues for something messier, spicier, and more grounded: autonomous power built through collective fucking risk. “All Cocoons Are Temporary” doesn’t just ask how we organize — it asks why, and who the hell we’re building for. Spoiler: not your clout-chasing friend with a podcast. https://itsgoingdown.org/all-cocoons-are-temporary-revisiting-leadership-spontaneity-and-organization-for-revolutionary-struggles-in-the-21st-century/

Is it okay now to compare Israel to Nazi fucking Germany? Netanyahu to Hitler? Or do we have to wait ‘til the bodies are bulldozed into mass graves? How many starved, bombed, orphaned kids do we need before we’re allowed to say: This is genocide. This is fascism. This is a holocaust. Netanyahu is a fucking war criminal, and the world is watching him do it—live-streamed, in HD, with Western backing. History’s repeating. And once again, most people are just sitting on their hands. #Gaza #NeverAgainMeansNow #FreePalestine #ShutItDown #GenocideInGaza