So by 62 I will be100 percent fit and toned - glad to be back to training …. Seniority in Miami Beach = free gym all by myself -> perks

Knowing how it works (money) then both decisions and risks are subjective.

Upcoming eclipses : So right now, not only do we have these eclipses in this nodal axis, but we have Saturn, that takes 30 years to come back to the same place, activating these eclipses as it goes back to Pisces. The lord of time has already been a few months in Aries showing us where we have to be based, have courage, become individuated. Suddenly he says “oopsie, I forgot something, I have to go back, try to fetch it.” The whole deal with Saturn going back is not to fall into a role that has been outgrown, like for instance: any role of victimization: poor me, it’s just happening to me, I can’t believe it. Anything that takes you away from your own responsibility and you start blaming even the mosquito that is hovering around your skin, stop it! that’s when you know that you’re going back to the past and it’s not a good place where to be. Facing the Mirror -So what’s going on here? -What’s going on? -Have you done any changes that feel like big accomplishments in the last few months? Have you let go of a lot of shit that you never thought you were going to let go of? -Are you fed up with certain things in your life that kind of dissolve into a new beginning? Well, hold on to your braces because there’s going to be a little bit of a shake, and we’re going to be thrown back to the past just to make sure that we didn’t forget something. Imagine you’re going back to that rabbit hole that it took you forever to get out of because you finally saw the light, but now you’re given the last opportunity to say: -are you sure? -are you sure? -are you REALLY sure? Because the reset of 2026 onwards, there’s no way back. That’s why I find the coming eclipse so fascinating. Things are happening. I always see things from the optimistic point of view. I can’t do it otherwise. And even in moments of darkness, I look at myself in the mirror and go: Come on, Monika, there’s always another way. Come on, we can do this. So here’s the deal: If you still think there’s a part of yourself that is still faking it and nobody has been able to catch that lie, this is the time for you to face yourself completely in the mirror and go: I can do better than this. I can take responsibility for these snafus, whether it’s in economic decisions, whether they’re relational decisions, information that you got wrong, creative endeavors, how you deal with your personal daily habits, your professional career, how you’re projecting yourself outward, your ideologies, and even how you tell lies in front of yourself when you’re in front of your unconscious. That’s a double whammy: seeing things being revealed to you and then saying, “no, that’s not happening!”

ᴀʀᴄᴀɴᴀ_ɪɴᴛᴇʀᴅɪꜱᴄɪᴘʟɪɴᴀʀʏ ᴇɴɢɪɴᴇᴇʀɪɴɢ ʙᴜɪʟᴅɪɴɢ. ᴜ. ᴡᴀꜱʜɪɴɢᴛᴏɴ, 2025 𝗔𝗻 𝗶𝗺𝗺𝗲𝗿𝘀𝗶𝘃𝗲 𝗴𝗹𝗮𝘀𝘀 𝗮𝗻𝗱 𝗺𝗲𝘁𝗮𝗹 𝘀𝗶𝘁𝗲 𝗶𝗻𝘁𝗲𝗿𝘃𝗲𝗻𝘁𝗶𝗼𝗻 𝗮𝘁 𝘁𝗵𝗲 𝗶𝗻𝘁𝗲𝗿𝗱𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗮𝗿𝘆 𝗲𝗻𝗴𝗶𝗻𝗲𝗲𝗿𝗶𝗻𝗴 𝗯𝘂𝗶𝗹𝗱𝗶𝗻𝗴 (𝘂. 𝗪𝗮𝘀𝗵𝗶𝗻𝗴𝘁𝗼𝗻), 𝗰𝗿𝗲𝗮𝘁𝗶𝗻𝗴 𝗮 𝗱𝘆𝗻𝗮𝗺𝗶𝗰, 𝘀𝘁𝗮𝗴𝗲-𝗹𝗶𝗸𝗲 𝘄𝗿𝗮𝗽𝗮𝗿𝗼𝘂𝗻𝗱 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 𝘁𝗵𝗮𝘁 𝗲𝗺𝗯𝗿𝗮𝗰𝗲𝘀 𝗮𝗻𝗱 𝘀𝗵𝗮𝗽𝗲𝘀 𝗮𝗻 𝗲𝘃𝗲𝗿-𝗰𝗵𝗮𝗻𝗴𝗶𝗻𝗴 𝗲𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲 𝘁𝗵𝗿𝗼𝘂𝗴𝗵 𝗹𝗶𝗴𝗵𝘁 𝗮𝗻𝗱 𝗽𝗲𝗿𝘀𝗽𝗲𝗰𝘁𝗶𝘃𝗲. 𝗩𝗶𝗯𝗿𝗮𝗻𝘁 𝗴𝗹𝗮𝘀𝘀 𝗽𝗮𝗻𝗲𝗹𝘀 𝗶𝗻𝘁𝗲𝗿𝗮𝗰𝘁 𝘄𝗶𝘁𝗵 𝗺𝗲𝘁𝗮𝗹 𝘀𝗶𝗹𝗵𝗼𝘂𝗲𝘁𝘁𝗲𝘀, 𝗳𝗼𝗿𝗺𝗶𝗻𝗴 𝗹𝗮𝘆𝗲𝗿𝗲𝗱 𝗰𝗼𝗺𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻𝘀 𝘁𝗵𝗮𝘁 𝘀𝗵𝗶𝗳𝘁 𝗱𝗲𝗽𝗲𝗻𝗱𝗶𝗻𝗴 𝗼𝗻 𝘁𝗵𝗲 𝘃𝗶𝗲𝘄𝗲𝗿’𝘀 𝗽𝗼𝘀𝗶𝘁𝗶𝗼𝗻, 𝗯𝗼𝘁𝗵 𝗶𝗻𝗱𝗼𝗼𝗿𝘀 𝗮𝗻𝗱 𝗳𝗿𝗼𝗺 𝘁𝗵𝗲 𝘀𝘂𝗿𝗿𝗼𝘂𝗻𝗱𝗶𝗻𝗴 𝗼𝘂𝘁𝗱𝗼𝗼𝗿 𝘀𝗽𝗮𝗰𝗲𝘀. 𝗜𝗻𝘀𝗽𝗶𝗿𝗲𝗱 𝗯𝘆 𝗼𝘀𝗸𝗮𝗿 𝘀𝗰𝗵𝗹𝗲𝗺𝗺𝗲𝗿’𝘀 𝘁𝗿𝗶𝗮𝗱𝗶𝗰 𝗯𝗮𝗹𝗹𝗲𝘁, 𝘄𝗵𝗲𝗿𝗲 𝘁𝗵𝗲 𝗵𝘂𝗺𝗮𝗻 𝗳𝗼𝗿𝗺 𝗶𝘀 𝗿𝗲𝗶𝗺𝗮𝗴𝗶𝗻𝗲𝗱 𝗮𝘀 𝘀𝗽𝗵𝗲𝗿𝗲𝘀, 𝗰𝗼𝗻𝗲𝘀, 𝗮𝗻𝗱 𝗰𝘆𝗹𝗶𝗻𝗱𝗲𝗿𝘀, 𝗶𝘁 𝘁𝗿𝗮𝗻𝘀𝗹𝗮𝘁𝗲𝘀 𝘁𝗵𝗶𝘀 𝗴𝗲𝗼𝗺𝗲𝘁𝗿𝘆 𝗶𝗻𝘁𝗼 𝗮 𝘀𝘁𝗿𝘂𝗰𝘁𝘂𝗿𝗮𝗹 𝗹𝗮𝗻𝗴𝘂𝗮𝗴𝗲 𝗼𝗳 𝗲𝗻𝗴𝗶𝗻𝗲𝗲𝗿𝗶𝗻𝗴—𝗶𝗻𝘁𝗲𝗴𝗿𝗮𝘁𝗶𝗻𝗴 𝗳𝗼𝗿𝗺, 𝗺𝗼𝘁𝗶𝗼𝗻, 𝗮𝗻𝗱 𝗽𝗲𝗿𝗰𝗲𝗽𝘁𝗶𝗼𝗻. @glasmalereipeters @visolighting @artswapublicart 𝙿𝚑𝚘𝚝𝚘 𝚌𝚛𝚎𝚍𝚒𝚝: 𝚎𝚟𝚎𝚛𝚢𝚝𝚑𝚒𝚗𝚐 𝚝𝚒𝚖𝚎 𝚜𝚝𝚞𝚍𝚒𝚘- 𝚏𝚊𝚋𝚛𝚒𝚌𝚊𝚝𝚘𝚛𝚜: 𝚐𝚕𝚊𝚜𝚖𝚊𝚕𝚎𝚛𝚎𝚒 𝚙𝚎𝚝𝚎𝚛𝚜 𝚊𝚗𝚍 𝚟𝚒𝚜𝚘. 𝚌𝚘𝚖𝚖𝚒𝚜𝚜𝚒𝚘𝚗𝚎𝚍 𝚋𝚢 𝚝𝚑𝚎 𝚞𝚗𝚒𝚟𝚎𝚛𝚜𝚒𝚝𝚢 𝚘𝚏 𝚠𝚊𝚜𝚑𝚒𝚗𝚐𝚝𝚘𝚗 𝚏𝚘𝚛 𝚝𝚑𝚎𝚒𝚛 𝚒𝚗𝚝𝚎𝚛𝚍𝚒𝚜𝚌𝚒𝚙𝚕𝚒𝚗𝚊𝚛𝚢 𝚎𝚗𝚐𝚒𝚗𝚎𝚎𝚛𝚒𝚗𝚐 𝚋𝚞𝚒𝚕𝚍𝚒𝚗𝚐 𝚊𝚗𝚍 𝚒𝚜 𝚋𝚎𝚒𝚗𝚐 𝚖𝚊𝚗𝚊𝚐𝚎𝚍 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚝𝚑𝚎 𝚠𝚊𝚜𝚑𝚒𝚗𝚐𝚝𝚘𝚗 𝚜𝚝𝚊𝚝𝚎 𝚊𝚛𝚝𝚜 𝚌𝚘𝚖𝚖𝚒𝚜𝚜𝚒𝚘𝚗​.

ARCANA_INTERDISCIPLINARY ENGINEERING BUILDING. U. WASHINGTON, 2025 #publicart ᴀʀᴄᴀɴᴀ-ᴅᴇꜱɪɢɴ-ᴘʀᴏᴄᴇꜱꜱ ᴀʀᴄᴀɴᴀ ᴡᴀꜱ ʙᴜɪʟᴛ ʟɪᴋᴇ ᴀ ꜱᴛᴀɢᴇ, ɪɴꜱᴘɪʀᴇᴅ ʙʏ ᴛʜᴇ ꜱᴘɪʀɪᴛ ᴏꜰ ʙᴀᴜʜᴀᴜꜱ—ᴏꜱᴋᴀʀ ꜱᴄʜʟᴇᴍᴍᴇʀ’ꜱ ᴇxᴘᴇʀɪᴍᴇɴᴛᴀʟ ᴛʀɪᴀᴅɪᴄ ʙᴀʟʟᴇᴛ ɪɴ ᴘᴀʀᴛɪᴄᴜʟᴀʀ, ᴀʟᴏɴɢ ᴡɪᴛʜ ꜱᴏᴍᴇ ꜱᴛʀᴜᴄᴛᴜʀᴀʟ ᴇʟᴇᴍᴇɴᴛꜱ ᴜꜱᴇᴅ ʙʏ ᴛʜᴇ ɢʀᴇᴀᴛ ᴊᴏꜱᴇꜰ ᴀʟʙᴇʀꜱ ᴡʜɪʟᴇ ᴛᴇᴀᴄʜɪɴɢ ɪɴ ᴛʜᴇ ꜱᴀᴍᴇ ꜱᴄʜᴏᴏʟ. ᴡʜᴀᴛ ᴡᴀꜱ ʀᴇᴀʟʟʏ ᴀᴍᴀᴢɪɴɢ ɪꜱ ʜᴏᴡ, ᴛᴏɢᴇᴛʜᴇʀ ᴡɪᴛʜ ᴛʜᴇ ᴀʀᴄʜɪᴛᴇᴄᴛᴜʀᴇ, ᴡᴇ ᴛʜᴏᴜɢʜᴛ ᴅᴇᴇᴘʟʏ ᴀʙᴏᴜᴛ ᴛʜᴇ ꜱʜɪꜰᴛꜱ ɪɴ ʟɪɢʜᴛ ᴛʜʀᴏᴜɢʜᴏᴜᴛ ᴛʜᴇ ᴅᴀʏ ᴀɴᴅ ʜᴏᴡ ᴛʜᴇʏ ᴡɪʟʟ ᴄʀᴇᴀᴛᴇ ᴅɪꜰꜰᴇʀᴇɴᴛ ᴋɪɴᴅꜱ ᴏꜰ ᴀᴛᴍᴏꜱᴘʜᴇʀᴇꜱ—ᴍᴀᴋɪɴɢ ᴀ ꜱᴘᴏᴛʟɪɢʜᴛ ꜱᴛᴀɢᴇ ᴀʀᴏᴜɴᴅ ᴛʜᴇ ʜᴏᴜʀꜱ ᴏꜰ ᴛʜᴇ ᴀꜰᴛᴇʀɴᴏᴏɴ, ᴡʜᴇɴ ᴛʜᴇ ꜱᴜɴ ɪꜱ ʜɪᴛᴛɪɴɢ ᴅɪʀᴇᴄᴛʟʏ ᴛʜᴇ ᴡᴀʟʟ ᴀɴᴅ ɪᴛ’ꜱ ᴍᴏᴠɪɴɢ. ᴀɴᴏᴛʜᴇʀ ɪᴍᴘᴏʀᴛᴀɴᴛ ᴀꜱᴘᴇᴄᴛ ᴡᴀꜱ ᴛʜᴇ ɪɴᴛᴇɴᴛɪᴏɴ ᴛᴏ ᴍᴀᴋᴇ ᴛʜᴇ ꜱᴘᴀᴄᴇ ꜰᴇᴇʟ ᴡᴇʟᴄᴏᴍɪɴɢ—ᴀ ᴘʟᴀᴄᴇ ᴡʜᴇʀᴇ ꜱᴛᴜᴅᴇɴᴛꜱ ᴄᴏᴜʟᴅ ʜᴀɴɢ ᴏᴜᴛ ᴀɴᴅ ʙʀᴀɪɴꜱᴛᴏʀᴍ. ɪ ᴅᴇᴄɪᴅᴇᴅ ᴛʜᴇ ᴀʀᴛᴡᴏʀᴋ ᴡᴏᴜʟᴅ ᴇᴍʙʀᴀᴄᴇ ᴛʜᴇ ᴡᴀʟʟ ᴀɴᴅ ᴡʀᴀᴘ ᴀʀᴏᴜɴᴅ ɪᴛ—ɴᴏᴛ ᴀꜱ ᴀ ʙᴀᴄᴋᴅʀᴏᴘ, ʙᴜᴛ ᴀꜱ ꜱᴏᴍᴇᴛʜɪɴɢ ᴛʜᴀᴛ ʜᴏʟᴅꜱ ꜱᴘᴀᴄᴇ. ɪᴛ ᴄʀᴇᴀᴛᴇꜱ ᴄᴏɴᴛɪɴᴜɪᴛʏ, ᴀ ꜱᴇɴꜱᴇ ᴏꜰ ʙᴇɪɴɢ ʜᴇʟᴅ ᴡʜɪʟᴇ ᴛʜɪɴᴋɪɴɢ, ʀᴇꜱᴛɪɴɢ, ᴏʀ ᴇxᴄʜᴀɴɢɪɴɢ ɪᴅᴇᴀꜱ. @glasmalereipeters @visolighting @artswapublicart